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1. |
After the Prom
05:14
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In the weird dark 1980s, in the basement of my school
they showed us nature movies on sixteen-millimeter spools
unfurling with a crackle and a whirring of the wheels
salmon eggs and silverbacks cut through water white as steel
I watched with my breath bated, bewildered by the speed
while they thrashed and broke in the river
which ones died, which ones would breed
these days it’s much the same thing
OK, it’s a slightly different show
which way from here is upstream, which way should we go
Little anthem, little children, little bomb
I’ll meet you behind the gym after the prom
Heartbeats being heartbeats, they served us back the war
after summer dinners, in suburban living rooms
my dad said, “Son, for you an early bed tonight
I don’t want for you to see this, and what’s good ain’t always right”
I lay there in the darkness, my lungs twin purple cages,
needing more than oxygen for my dad to be courageous.
less than a decade later, in a senior high school classroom,
watching The Day After, at last I could forgive him
Little anthem, little children, little bomb
I’ll meet you behind the gym after the prom
The grand jury’s in discovery, and they’re choking on the burden of proof
if the glove fits you must convict, when’s the last time that was the truth
now, I’m going to the tribunal; I’m trading in my gown
I’ll trading my diploma; I’m getting out of town
‘cause I crouch still in my hallway like it’s a basement or a bed
forget the mushroom clouds over Kansas, a 747 is over your head.
it’s this critical fork in the junction, baby, some of us will got caught
I know it doesn’t matter, but this is what I got
Little anthem, little children, little bomb
I’ll meet you behind the gym after the prom
Little anthem, little children, little bomb
I’ll meet you behind the gym after the prom
I’ll meet you behind the gym after the prom
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2. |
Black Helicopters
04:14
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When they took him to the Temple Mount
they said, “Even Jesus Christ doesn’t walk around
with his pants around his ankles and his thorny crown
strapped up across two biceps, he don’t make much sound”
so they strung him up amongst three thieves
said, “Come the holy morning, ye shall believe
and if the cobra comes with his venom sack
watch ye his spittle and don’t look back”
Now, in the dusty a desert a half-buried jawbone
sings out this story in low and solemn tones
says, “I know you stole it, stole it fair and square
they were waiting in line, but you did not care
with your sudden sidewalk sawhorse and your mobile phones
you said, “Go each of you niggers now back to your homes
this is our election, not served by your vote
it’s the army, the navy, the holy ghost”
and in the dusty desert a nervous jawbone
sings a symphony of crackles and FM poems
Black helicopters
black helicopters
black helicopters
what if this was real
In the city of martyrs, the temple of JFK
where the Zapruder film plays over and over all day
on a hill over there, a shadow rises
it’s the U.S. phantom, you’d better beware
and on the grassy knoll, at the hour of noon
a little lawn sign reads, “No trolls”
Under the bridge, in a plain black suit
a CIA agent plays his Pan-like flute
to which are drawn the congressmen and senators
in their long, sleek, black, quiet cars
well, drive your fifty-eight Chevy in the waiting wash
leave your date to drown, swim for the shore
while in the dusty desert a nervous jawbone
sings a symphony of crackles and FM poems
Black helicopters
black helicopters
black helicopters
what if this was real
black helicopters
black helicopters
black helicopters
what if this was real
Back on the Temple Mount, they said, “You ain’t Christ
this is the wrong place, but we won’t tell”
so the doctor skeetered, the doctor skedaddled
the doctor flew in, he was looking quite addled
with his hypodermic needle that he shoved in deep
he said, “Tell us, Tim, does it feel like sleep”
Tim said, “I was Timothy then, I may be Timothy later
as for Timothy now, I think he’s starting to fade here”
the doctor took his pulse, said, “OK, he’s gone
you can turn your television sets back on
for the satellite uplink of the graveyard feed
you thought vengeance was hard, but we’ve shown you it’s easy”
the un-voted watched, said, “They’ll kill their own
are we richer or poorer now that this is done”
the un-voted watched, said, “They’ll kill their own
are we richer or poorer now that this is done”
and in the dusty desert a nervous jawbone
sings a symphony of crackles and FM poems
Black helicopters
black helicopters
black helicopters
what if this was real
black helicopters
black helicopters
black helicopters
what if this was real
real
real
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3. |
Anthrax
05:34
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These days I want to slice like a knife
these days I want to bruise like a billy club
kick you in the cherry red of your slick dark liver
I want to take a walk and talk to no one
confer with spirits, lose my shit and run
do the double-decker dance with both barrels loaded
I want to wrap myself in a rug of gold
I want to sell you what has never been sold
I’ll tell you a riddle, say what you told me’s the answer
All right, I give in
I’m gonna slink down to the banks
of that dirty flowing river
all right, I give in
I’m gonna dance like the Devil
in the rising dust
These days I hurt myself so I can sleep
I sit in the dark and just breathe, breathe, breathe
I sink into the copper blue of my failing vision
I only want to read what I’ve already read
I only want to say what I’ve already said
I want to wrap it all up and mail it to a politician
I want to be a cop and bust you once
I want to see your hand and trump you chump
I want to blow my load and not have to wipe
I don’t care if it’s wrong or if it’s right
I’m a creature of nothing, I move in the night
I come up for air at the space at the back of your mind
All right, I give in
I’m gonna slink down to the banks
of that dirty flowing river
all right, I give in
I’m gonna dance like the Devil
in the rising dust
I am driven to do this, now
day after day, somehow
I’ve got nothing to say, and how
so, if anyone’s brave tonight
they can come up on stage tonight
write their named on my page tonight
as a record and a promise
said, if anyone’s brave tonight
they can come up on stage tonight
write their named on my page tonight
as a record and a promise
All right, I give in
I’m gonna slink down to the banks
of that dirty flowing river
all right, I give in
I’m gonna dance like the Devil
in the rising dust
all right, I give in
I’m gonna slink down to the banks
of that dirty flowing river
all right, I give in
I’m gonna dance like the Devil
in the rising dust
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4. |
Sweet Water
03:15
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My heroes so far are the people you’d term
unpredictable, difficult, and dirty
well, swinging bad punch drunks and crooked rum poets
stagger rough through this world that keeps turning
but, babe, if you’d come to my door
I’d grace your lips with cool mint and green clover
you’re not bad, I’m half good
let’s throw open this hood
forget this engine, I’ll flag down a rocket
well put it neutral, oh, babe, it’ll roll still
you’re waving, you’re saying my name
and Oswald pockets his change and takes aim
goodbye
Oh, lordy, lordy, lordy
don’t go down in that sweet water, baby
lordy, lordy, lordy
without me
I took my song to the song man
crouching low with his bone and his princes
played it loud for the ghosts and frustrations, gas stations
squat, yellow, luminescent
well, the moon took last stabs at the lions, the cancers, the bears
the song man emptied his glass in his ears
he said, “Nothing, nice going, don’t hear it, I’m sorry
did you make the reservation”
Oh, lordy, lordy, lordy
don’t go down in that sweet water
oh, lordy, lordy, lordy
without me
Oh, lordy, lordy, lordy
don’t go down in that sweet water, baby
lordy, lordy, lordy
without me
The highway’s a mark of the beast from the air
silver specks crawl the black lines of all the symbols down there
they’re my heroes in the darkness they share
with their tires and wheels and their patch cords and fears
they’re the holy companions of travel
and the link from the well to the river
and if you know that sweet water
drink deep, you do not have to stay here
Oh, lordy, lordy, lordy
don’t go down in that sweet water
oh, lordy, lordy, lordy
without me
Oh, lordy, lordy, lordy
don’t go down in that sweet water, baby
lordy, lordy, lordy
without me
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5. |
Paint
03:28
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I used to paint most every afternoon
just a brush, a few tubes, a little canvas
I’d spread what it was I had around
to see what formed from the messes I made
you said, “Paint, that stuff is poison
like lead, like lye, like mercury
get it on your hands, it’ll could do some damage”
I said, “Well, that explains a few things
but since we’re talking about paint and poison
would you like to get a cup of coffee”
I just paint
I used to watch you for hours
in your noise and your color and light
it was like you swallowed a chunk of the tongue of God
which hit your belly, then your fingers, then your teeth.
you said, “My belly, well mostly it feels empty, and my fingers have started to bleed
my teeth could crack at almost any moment
I don’t know what it is that I want, or what I need”
I just paint
Now, like God, this will demand a conversion
strip you bare, make you say what it is you’re scared of
like God, this will certainly divide you
from what you think and what you love
so you sit and sip your coffee
you consider the blackness of your cup
you said, “Paint, I thought you were a singer
now all this talk of canvas and God”
I said, “Song, that stuff is poison; link absinthe, like LSD
get it in your head, it’ll do some damage
as for me
I just paint
I just paint
I just paint
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6. |
Clean
04:29
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Sometimes it gets so hard my head starts spinning around
without destination, I drift downtown
drink something brown, drink something clear
tinkle through bead curtain, backlit, blue-lit room
lion-like gypsy at the other end says, “Come in, we’ve been expecting you”
she fans a ray of cards, all jokers and hearts
says, “Start talking, know your future”
I would do anything
to be clean and have you around me
I would do anything
to be free and have no memory
Most days I worry about caffeine, fear
she narrows her eyes and says, “Well, you’re not from around here”
I worry whether my truck will start, most mornings
I worry about whether she’ll be on the other end of the telephone at the next rest stop
I worry about time signatures, couplets, and free verse
she shows me a knee, she shows me a thigh
she says, “Try this first”
I would do anything
to be clean and have you around me
I would do anything
to be free and have no memory
I can’t force it, and when I fuck up, I hope you’re around
she squeezes my temples between two fists
says, “Hush, hush, don’t you make a … make a sound”
I live my life from stage to stage like pages in some phantom book
I spend all my time writing and revising, but when I look
I see thumbprints, I see thumbprints, I see thumbprints
I see thumbprints, I see thumbprints, I see thumbprints
I would do anything
to be clean and have you around me
I would do anything
to be free and have no memory
I would do anything
to be clean and have you around me
I would do anything
to be free and have no memory
memory
memory
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7. |
Same Old World
04:52
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Oh, how I thought it was unfair
you illustrated I’d done the same
I coughed up my medicine again
now, tie a yellow ribbon
baby, I wanna come home
you said, “There’s no home here,
keep walking, I’ll see ya”
what about all those letters
you know, I just about lost my mind
you said, “Words are duct tape in a burning engine”
This air’s too thick to breathe
baby, let me swallow what I got
This air’s too thick to breathe
baby, let me swallow what I got
I blanked out, I passed out
I’d have poisoned anything living
I wrote words in the dark
in ink black from my heart, “Death comes like a cousin”
now, don’t you think I paid my dues
I don’t need no salt in the pepper-wound from you
I got scar tissue
it’s white, it’s ugly, but it’s mine and it’s healing
I know you got your piece to say
so, have at it, then get away
there’s a puddle where your feet were
we wanna start sweeping
This air’s too thick to breathe
baby, let me swallow what I got
This air’s too thick to breathe
baby, let me swallow what I got
Every time the weather gets cold
it brings back days of old, I know
just because there’s a bottle, baby
don’t mean it’s there for drinking
what’s bought cannot be sold
what’s silver can never be gold
the antique shop’s closed
the china’s clinking in the earthquake
hey, we fool ourselves like mice
we think, this time the cat’ll be nice
that cheese is laced
that horse is paste
it’s the same old world, I’m sorry
This air’s too thick to breathe
baby, let me swallow what I got
This air’s too thick to breathe
baby, let me swallow what I got
let me swallow what I got
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8. |
Mourning Day
04:08
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I drove the New Jersey Turnpike, September thirteen
the rain fell like a sacrament, the air was still unclean
we stared from our economies, our utilities, my old truck
the pistons in the engine rattled, “Go on, good luck”
while the pontiff on the radio was trying not jam
with the president on the pulpit working up his own scam
The carpetbaggers dance a jig
while the poets thumb their nose
you’ve got to keep your heart together, here
don’t stray far from the road
The computers all were working that cold November day
when the black suits came to reference with orders from the DA
they fanned out through the aisles rumbling, “Dark and troubled times”
they took diaries, they took notebooks, they took monographs and tapes
they took stock reports and leaflets, they took manuals, they took maps
they said, “Go home, stay indoors, don’t log on, don’t take this rap”
The carpetbaggers dance a jig
while the poets thumb their nose
you’ve got to keep your heart together, here
don’t stray far from the road
A poet sends an email from the heart of Somerville
it says, “I’ve been leaving for a long time, this time I think I will
I’m giving one last reading at the corner of Harvard and Brighton
then I’m flying out of America, which is killing me like a poison”
The carpetbaggers dance a jig
while the poets thumb their nose
you’ve got to keep your heart together, here
don’t stray far from the road
the carpetbaggers dance a jig
while the poets thumb their nose
you’ve got to keep your heart together, here
don’t stray far from the road
don’t stray far from the road
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9. |
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Lay down your alms at the altar of Joseph and Dee Dee Ramone
light a votive; the lowest common denominator is dearest, here
in the church of the kitchen sink
in the church of the kitchen sink
we have many things in common, we agree to disappear
we have questions, we question motives of all the blackbirds singing here
this is the juice of the oldest orchard
this is the fruit, this is the lamb.
I could feed you, you could feed me, but the hatchet-man hacked off our hands
I feel closer to you
I feel closer to you
I feel closer
I feel closer to you
I feel closer to you
I feel closer
I grew up in front of a family of four hundred and twenty nine
who never came together, they’d visit in twelves and only some of the time
I wonder if they’d know me, gathered in one place
every sister, lover, mother and brother, father and cousin and friend
with diaries and with notebooks, with memory and with tape
would dozenth version show a different guy with a similar face
I feel closer to you
I feel closer to you
I feel closer
I feel closer to you
I feel closer to you
I feel closer
Do you remember those days on the radio
do you remember those days in your car
when everything seemed very local, baby, nothing felt very far
those were the days we ran like a wild pack
the days we broadcast like stars
and the big dish receivers read every signal
the scientists resurrected microbes from Mars
the walls cooled down
the Internet hummed
and we flickered at each other
we coupled transistor brilliant
we ate from each other’s fingers
there was no spongifora
we were barely vegetarian
we were barely out of the garden
we were waiting for our messiah
we were open to invention
in the church of the kitchen sink
in the church of the kitchen sink
in the church of the kitchen sink
in the church of the kitchen sink
in the church of the kitchen sink
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10. |
Sleep
04:16
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The cathedral of Christ in Bethlehem
the twenty-first century’s Custer’s last stand
sometimes I think I’ll never sleep again
swirling and chugging ’til four a.m.
sleep is a dream of school desks in the desert
lined up like classrooms under the shimmering sun
girls scribble contracts, boys straddle camels with guns
I wake with a start, I think my fingers are broken
I buy my train tokens in Grand Central Station
I know, don’t be slow
Speak, don’t talk to me in tongues
it’s only sleep, I won’t be gone too long
My mind is a Stonehenge up, up in the highlands
nobody knows who built it or really what for
I dive for the floor when planes fly low over my house
that’s conditioned behavior, I read about it in college
oh, peace is a drug dripping on me like morphine
it’s cold and it’s numb, it’s addictive
without it, I open my mail, I think about anthrax
I wake with a start, I think my fingers are broken
I buy my train tokens in Grand Central Station
I know, don’t be slow
Speak, don’t talk to me in tongues
it’s only sleep, I won’t be gone too long
That shelf to the south that broke free from the ice pack
shuffled the bulk of Antarctic and slipped to the sound
to vanish in waters too warm for its surface
melting its volume by cubits and meters
that is a trick that I think that we’d like to know
well, maybe it’s free from its history’s burden
four million years of baggage unfrozen
Jack Nicholson did that in Five Easy Pieces
I wake with a start, I think my fingers are broken
I buy my train tokens in Grand Central Station
I know, don’t be slow
Speak, don’t talk to me in tongues
it’s only sleep, I won’t be gone too long
speak, don’t talk to me in tongues
it’s only sleep, I won’t be gone too long
it’s only sleep, I won’t be gone
it’s only sleep, I won’t be gone
it’s only sleep, I won’t be gone too long
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11. |
The War Has Come
05:58
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Rich white American children come from the suburbs and go to a college
where they learn a second language, sometimes the language is a dead one
it does not bother them
other American children come from the city and join an army
where they’re certified to kill or heal, if they fail at either they come home dead
it does not bother them
sometimes I can’t believe these things I write, I write down anything
pulling songs from the mouth of unbelieving, it’s only words
it does not bother me
it’s easy to write a bullet, it does not hiss, it is not close to me
it’s easy to write a wound, I’ve never clamped a femoral artery
Hey, hey, hey, the war has come
hey, hey, hey, the war has come
Some days I see a cop, I think I’d make a good officer
some days I see you on the street, I’m glad I’m not a cop and this ain’t my beat
some nights I sleep in my truck, I want a handgun in my glove compartment
some nights you make a noise, thank God there’s no handgun in our apartment
Hey, hey, hey, the war has come
hey, hey, hey, the war has come
Ever since this started, I’ve wanted someone to get it over with
give me the bite or the bug or the bomb, or the backbone to drive a plane into the ground
some folks I know have fled to places like France or Australia
they’re the vanguards of an exodus or they’re rabbits pissing, running scared
well, all I’ve got’s these four chords and the mercy that you’ve granted me
I wanna show you something true, the truth’s the ugliest kid you’ll ever see
Hey, hey, hey, the war has come
hey, hey, hey, the war has come
the war has come
the war has come
the war has come
the war has come
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James O'Brien New York, New York
James O’Brien toured the U.S. and the U.K. from 1998–2004 playing politically aware songs, sometimes solo and sometimes with
a band, sharing billings with artists such as Hamell on Trial, Dan Bern, Michael McDermott, John Sinclair, Bill Miller and Freedy Johnson.
In 2017, after a 13-year hiatus, he began to release archival and new material, expanding his catalog to fourteen albums as of 2022.
... more
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